Liebster jesu wir sind hier. J.S. Bach

Lutheran Service Book 904. Blessed Jesus, at Your Word

Liebster jesu wir sind hier

Dies sind die heil'gen Zehn Gebot', die uns gab unser Herre Gott durch Moses, seinen Diener treu, hoch auf dem Berg Sinai. The second motif is passed from voice to voice in the accompaniment—there are two passages where it is adapted to the pedal with widely spaced semiquavers alternating between the feet—providing an unbroken stream of semiquavers complementing the first motif. Following baroque convention, Bach notated the triplets in the accompaniment as quavers instead of crotchets, to make the score more readable for the organist. The accompaniment—striding quavers in the pedal like an and dance-like semiquavers in the inner parts—s formed from two short motifs. Carpzov, and others, and throughout his life retained the character of their teaching, viz. In the eleventh bar the bass's motivic accompaniment pauses for a second pedal point after which it resumes by unexpectedly taking up the cantus firmus in canon—two beats after and two octaves below the alto—until the end of the twelfth bar.

Next

Gesammelte Werke für Orgel (Walther, Johann Gottfried)

Liebster jesu wir sind hier

An early version of the melody also appeared in Steuerlein's hymnbook, but set to different words Gott Vater, der du deine Sonn. Author: Tobias ClausnitzerClausnitzer, Tobias, born at Thum, near Annaberg, in Saxony, probably on Feb. Blasius' Church in , before his second appointment at the court in Weimar in 1708 as concertmaster and organist, where he remained until 1717. Dearest Jesus, we are here To listen to you and your word. Over the final , it sounds in all three of the upper voices. The pedal provides a rhythmic pulse with a semiquaver walking bass with sustained notes at each cadence. The accompanying arpeggio motifs in the inner parts are not dissimilar to figurations in settings of the hymn by and Walther the 6th variation in his partita.

Next

Lutheran Service Book 904. Blessed Jesus, at Your Word

Liebster jesu wir sind hier

He returned to Mühlhausen and became an organist at St. Does this piece sound familiar, but not on the organ? Our souls Thou wakest, Our bonds Thou breakest, Who trusts Thee surely Hath built securely, He stands for ever: Hallelujah! Er sucht kein sterblich Königreich, der zu uns bringt sein Himmelreich. Das alte Jahr vergangen ist, wir danken dir, Herr Jesu Christ, daß du uns hast in aller G'fahr so gnädiglich behüt't dies Jahr. Tröst mir mein Gemüte O puer optime durch alle deine Güte O princeps gloriae. Below them the pedal bass provides a distinctive accompaniment in quavers and crotchets, starting off with a quaver triad.

Next

Liebster Jesu, wir sind hier, BWV 731 (Bach, Johann Sebastian)

Liebster jesu wir sind hier

Liebster Jesu, wir sind hier 1. Per nostra crimina: But Thou for us hast gained Coelorum gaudia, O that we were there! In addition what sounds like an interlude for alto and tenor during a two and a half bar rest in the pedal part creates further variety. Die Schrift hat verkündet das, wie ein Tod den andern fraß, ein Spott der Tod ist worden. According to the chronology of , this chorale prelude was probably the first to be entered by Bach in the autograph manuscript. Helft mir Gott's Güte preisen, ihr lieben Kinderlein, mit G'sang und andrer Weisen ihm allzeit dankbar sein, vornehmlich zu der Zeit, da sich das Jahr tut enden, die Sonn' sich zu uns wenden, das Neujahr ist nicht weit.

Next

Partitura Organum Johann Christian Kittel, Liebster Jesu, wir sind hier

Liebster jesu wir sind hier

Another extract from Sedulius' poem became the Latin Hymn Hostis herodes impie. The day hath dawned — the day of days Transcending all our joy and praise: This day our Lord triumphant rose; This day He captive led our foes. The accompanying figure in the inner voices has been interpreted as a joy motif by ; as an evocation of rocking by ; and as symbolising the miracle of virgin birth by Arfken. The alto part is characterised by falling ; while the tenor line is made up of two parts, the first a rising semiquaver figure and the second shorter semiquaver cross motifs descending in sequence. The stops for the canonic parts were explicitly marked by Bach in the autograph score, with the high tenor part in the pedal, written at the pitch Bach intended and also within the compass of the Weimar organ. Manuscripts in Bach's hand recently discovered in by the Bach scholars Peter Wollny and Michael Maul show that while in Lüneburg he studied the organ with , composer and organist at the.

Next

Orgelbüchlein

Liebster jesu wir sind hier

To God we render thanks and praise, Who pitied mankind's fallen race, And gave His dear and only Son That us, as children, He might own. Entzeuch uns nicht dein heilsam Wort, welch's ist der Seelen Trost und Hort, vor's Papsts Lehr' und Abgötterei bewahr uns, Herr, und steh uns bei! Bach left no indication that the manualiter parts were to be played on two keyboards: indeed, as points out, the autograph score brackets all the keyboard parts together; in addition technically at certain points the keyboard parts have to be shared between the two hands. The English translation is by. Direct our minds and desires to the delightful teaching of heaven: so that from the earth our hearts maybe completely drawn to you. Lord Christ, reveal Thy holy face, And send the Spirit of Thy grace, To fill our hearts with fervent zeal. Christ our Lord is Risen to-day, Hallelujah Christ, our Life, our Light, our Way, Hallelujah.

Next

Liederdatenbank: Liebster Jesu, wir sind hier

Liebster jesu wir sind hier

The true God is to you come in. Hear me, I beseech Thee, O puer optime; My praying let it reach Thee, O princeps gloriae. Laud to Thee, Child Jesu Christ! Satan every hour Waiteth to devour. Among the recordings he made are the complete works of C. Jacques van Oortmerssen was a regular guest professor of organ at the Lyon Conservatory France between 1999 and 2004, and he has also been a guest professor at the Royal Northern College of Music in Manchester England and during many years at the Conservatory in Göteborg Sweden.

Next